Credited in the end titles, after the original end credits (The Bridge on the River Kwai).
Are they to be included or removed?

Since they worked on this release, and we have dividers, I would include them.

I agree with A, Enry.

Skip

That's twice today already! What's happening to the world!

I'd like to see restoration credits applied for certain films, especially films that have totally been restored to the point of - If the work wasn't done the film wouldn't  exist in its present form.
Take the 175 min 1954 film of A Star Is Born with Judy Garland., Ronald Haver and his own crew spent years resurrecting the missing footage and installing stills to play along lost audio. as well as newly recovered stereo elements for the audio .
The opening credits of the film gives Haver this acknowledgement and glad accolades for the restoration bestowed to this film, other wise the film may have been lost forever. Therefore with that in mind  I feel Ronald Haver should be included in the credits below a Restoration divider in the credits area,,  The end credits mention his name and others who worked on the film.
but to what title do we give Haver?  Director?    Producer?  either one would fit the occupation that Ronald Haver's special Craft  worked wonders for this Restored classic..

Ideas??

Exactly,, and thanks for that Tracer..    ..,. what I was wondering was if he should be credited as director. As he did the same job as a director would and that would be coordinating the team, bringing together the  materials for the editor to work with , with himself at his side. Calling the shots on whether or not the stills would work with the missing audio etc ..

I agree.., it's a tough one.. 
Looking at my version of MY FAIR LADY I see that James C Katz -Producer and Robert Litt -Sound Rerecording Mixer got credit for Restoration notes ,  But poor Robert A Harris got no credit or mention at all.  Harris was the Main Man involved., but since there is no affordable credit to list his name he gets squat. 
But wanted to throw this out to get this feedback,  . As it is an area that might be looked at further one day down the road, because as more and more films will be subject to major and minor  restorations , these films subject to DVD release should reflect the hard work that these gentlemen and their peers should be acknowledged properly.

Quoting Leiterfluid:

Quote:
Just to stir the pot, the crew data is supposed to include main unit only.  Members of a restoration team might be considered a separate post-production unit.

It might, but as some DVDs specifically are made because of these restorations we also could consider them as an important part of the crew.